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Myka Finds Her Way $5.99 Myka is a brave-hearted, sharp-eyed fairy scout. Then one morning Myka thinks she spots something dangerous and sounds an alarm–a false alarm. With her confidence shaken, can Myka count on her other senses to help her fool everyone?

Myka Finds Her Way (Paperback) $7.25 Assisting her friends in Pixie Hollow, Myka the sharp-eyed scouting fairy triggers a false alarm when she mistakes one of her observations for a threat, an event after which she struggles with self-doubt. Original.

Myka 9 – 1969 * $15.28 Disc 1:*Real Song *Inner Knowing *Soul Beat *Snake Bite *To The Sky *Options – (featuring Aceyalone) *Cadillac Nights *Chopper – (featuring Busdriver) *Elevated *Liberty *Hand Bone *Monte Carlo *Good Old Smokey (My Kanine) *91 Octane – (featuring Gel Roc/AWOL One) *1969

Bright Eyes – Cassadaga $16.92 Composer: Conor Oberst.Bright Eyes: Mike Mogis (12-string guitar); Conor Oberst, Nate Walcott.Personnel: Mike Mogis (vocals, guitar, lap steel guitar, dobro, mandolin, ukulele, vibraphone, glockenspiel, percussion); Conor Oberst (vocals, guitar, piano, synthesizer); Andy LeMaster (vocals); Myka Miller (oboe); Nate Walcott (piano, electric piano, organ); Stephanie Drootin, Tim Luntzel, Dan McCarthy (bass instrument); Dan Fliegel, Jonathan Crawford, Dan Fliegel, Jonathan Crawford (percussion); M. Ward (vocals, guitar); Jason Boesel (vocals, drums); Hassan Lemtouni, Sean Foley, Gillian Welch, Rachael Yamagata, Jake Bellows, Ted Stevens, Sherri DuPree, Stacy DuPree, Z. Berg (vocals); David Rawlings (guitar); Anton Patzner (violin); Sarah Wass (flute); Brian Walsh (clarinet, bass clarinet); David Moyer (bass clarinet); Shane Aspegren (drums, percussion); Janet Weiss, Maria Taylor (drums); John McEntire (percussion, electronics); Dan Bitney, Michael Zerang, Clark Baechle (percussion); Suzie Katayama, Bill Meyers.Audio Mixer: Mike Mogis.Recording information: Arc Studios; Frosty The Studio; Presto!; STratosphere Sound, New York, NY; Supernatural Sound, Portland, OR.It`s clear that the year-plus Bright Eyes`s Conor Oberst took between 2005`s widely acclaimed I`M WIDE AWAKE, IT`S MORNING (and the simultaneously released DIGITAL ASH IN A DIGITAL URN) and 2007`s CASSADAGA was well spent. The product of intensive studio time, a crack assembly of musicians, and lavish, lovely production and arrangements, CASSADAGA stands as one of Bright Eyes` most confident and consistent works.The album throws together genres–folk, country, rock, pop–and coats it all in a gauzy dressing of strings, harmonies, and high-end atmospherics. Yet at the center of it all is still Obert`s songwriting: witty, emotive, literate, and replete, this time out, with references to the expanse and grandeur of America as a playing field for life, love, and politics. At times reflective, at times rousing, CASSADAGA plays like a sweet pop dream, and adds another notch to Bright Eyes` already impressive discography. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.

Mia Doi Todd – Gea $14.69 Mia Doi Todd: Mia Doi Todd (vocals, acoustic guitar, nylon-string guitar, harmonium); Joshua Schwartz (guitar, electric bass); Miguel Atwood-Ferguson (violin, viola); Josh Abrams (upright bass, electric bass); Andres Renteria (percussion).Personnel: Ginger Murphy (cello); Myka Myrphy (flute, oboe, English horn); Jennifer Scott (flute); Jennifer Stevenson (clarinet); Sara Schoenbeck (bassoon); Jason Gamer (trumpet); Danielle Ondarza (French horn); David Goya (trombone).Audio Mixers: Mia Doi Todd; Carlos Ni¿o; Bryan Carlstrom.Recording information: Tranzformer Studios, Burbank, CA.After a peculiarly over-produced major label effort, 2002`s The Golden State, and a far superior three-year stint on the electronic-oriented indie Plug Research, singer/songwriter Mia Doi Todd returns to her own City Zen imprint, last used for 2001`s spartan Zeroone, for her sixth album. Over a decade into a sometimes uneven but compelling career, Todd is suddenly part of one of the Hot New Trends of the late `00s, the female singer/songwriter. Where for most of her career, Todd`s brand of delicate indie folk has been a commercial outlier, in a musical scene where acts like Feist, Emily Haines, Kate Nash, Regina Spektor and Keren Ann are dominating iPod play lists and increasingly finding mainstream pop success, GEA sounds very much like an album of its time and place. Crucially, Todd has abandoned the solo acoustic style that`s her trademark, but unlike the overstuffed, keyboard-drenched and glossy The Golden State, she and producer Carlos Ni¿o wisely chose a simple small-combo setting for GEA: harmonium, minimal percussion, and occasional subtle arrangements for woodwinds, strings, and/or horns by Miguel Atwood-Ferguson, a young veteran of the Los Angeles jazz and new music scenes. The mature, jazzy settings mesh perfectly with Todd`s conservatory-trained voice, which has rarely sounded lovelier. With its combination of cool jazz, modern classical, and singer/songwriter influences, as well as Todd`s fondness for unconventional tunings, GEA could potentially seem too abstract or cerebral for a mass audience. Opening an album with a ten-minute two-part epic like "River of Life/The Yes Song" is proof that Todd is not necessarily looking to score the next episode of Grey`s Anatomy. But Todd`s lyrics on songs like the heartbroken "In the End" are so plain-spoken and so lacking in the pretentious poetry one might expect from the high-minded surroundings that there`s an immediacy and a sense of personal connection that relates back to confessional singer/songwriter classics like Joni Mitchell`s string of early-`70s albums. That`s heady company for a contemporary singer/songwriter, but with her finest work in a long and fruitful career, Mia Doi Todd deserves it. ~ Stewart Mason Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.